The manual "Image Science: disciplines, subjects, methods," by Klaus Sachs-Hombach (2005, Frankfurt a. M.: Suhrkamp) is also an article on the image photography system.
The author believes that, based on a single technique (able to record the permanent traces of electromagnetic radiation, mainly light, on a radiation-sensitive material) differentiated a generative system. Subsystems differ in regard to a) motif, b) image strategy, c) image type, d) criteria, e, f) function bases) image methods / style and image g) Methods photo / photo styles. It is common to bays but the "nuclear material" (sic) of art.
hunter differs suggests four phases of the evolutionary design system image photography, which does not come off, but are in tension with each other.
first Appropriation
- motif is the acquisition of external reality.
- image strategy is the mapping of the visible
- type of image is the image or icon
- Fotoart is a reporting Photography
- relevant Criterion is the realistic image of the object reference
- function basis is the similarity between symbols and image object
- Picture Styles objectivity, objectivity and realism
- are photographic methods are the realistic photography, the factual and documentary photography and photo reportage
the heart of nature is as object, which is aimed by means of self-recorded, a true reflection of the outside world. The light is the aigentliche agent of record. The first reproduction of Daguerre and Nicéphore Nièpce were arrested just this claim. These photos are shots they hold the world in detail.
So like you go Next, work beckons ...
second Agencies
- motif is to provide internal images
- image strategy is the representation of the invisible
- image type is the symbol or icon
- Fotoart is a representational photography
- the relevant criterion is the equivalence to the subject
- function basis is the correspondence between symbols and images mean methods
- image / picture styles are alienation, abstraction and symbolism
- photo photo styles and methods are Formative photography, subjective photography, visuals and all photography photo staging
It is therefore now bewußt, dass die Fotgrafien inszeniert sind. Portraitfotos und Fotomontagen kommen auf. Wann immer man fragt, was das Bild bedeuten soll, was es enthüllt etc., bewegt man sich auf der Ebene der Vermittlung bzw. kann on Sinnbildern sprechen. Aber während Passfotos etc. ein äußeres Wahrheitsmoment zukommt, beinhalten die Bilder eine innere Wahrheit. Benjamin steht genau auf dieser Schwelle. er erkennt die Dialektik im Stillstand in den Bildern und erkennt die Suhe nach naturgetreuer Fotografie als blaue Blume des Apparats. Seine Forderung, dass durch die Fotografie neue Verhältnisse geschafft werden sollen, wird im dritten Typus von Jäger verfolgt.
3. Schaffung
- Bildmotiv ist die Schaffung neuer Conditions
- image strategy is to generate visibility
- image type is the structure diagram and symptoms and indices
- Fotoart is the generator of Photography
- the relevant criterion is the autonomy in the image reference
- function basis, the relationship of symbols and images cause
- image methods / image styles of composition, design and concretism
- photo Methods / Photo styles are the concrete photography, experimental photography, generative photography and photographic composition
In this phase, photo techniques are used deliberately to provoke other viewing habits or awareness raising problems with the images. In order to win The photography is a utopian, socio-political dimension. It raises questions to their own techniques. In the literature this would be the difference between Kafka and Brecht.
4th Reflection
- motif is the reflection of media reality
- image strategy is the review of views
- image type is the reflected image (indexes)
- Fotoart the Analytical Photography
- the relevant criterion is the self-reference to its own medium
- function basis is the identity between symbols and image process methods
- image / picture styles analysis, verification methods and conceptualism
- photo / photo style sind Konzeptfotografie, Demonstrative Fotografie, Medienreflexion und Fotorecycling
Im vierten Stadium befinden wir uns also auf der modernen Systemebene. Die Fotografie beobachtet sich selbst. Über den Produktionsprozess hinaus wird nun das Foto selbst zum Objekt der Konstruktion. Dekonstruktive prozesse legen den Konstruktionscharakter der Bilder selbst frei. Während in der dritten Phase das Konstruktionsmoment zum Mittel wird, um bestimmte Sinnbezüge herzustellen, wird nun dieses Verhältnis selbst reflektiert.
Diese vier Teilsysteme des Bildsystems Fotografie sind aber doch zu rationalistisch gedacht. Jäger verbindet diese Phasen stets mit einem Datum und mit exemplarischen Kunstwerken. Obwohl gerade die last phase could be described as sociological, because it takes into account the form of construction and construction process gelichermaßen, makes such a typology, especially if it presents an evolutionary to a one-sided rationalism suspicious. The photograph is smarter every day.
would be here again to refer again to the progress of criticism of Walter Benjamin, who (is konstruktiviert read here, as alluded) in the last phase probably would have seen a konstruktivierten naturalism. Because the system-theoretical perspective to an operational objectivity (she claims to be so, idelogiefrei be in their overall theme), would now like to guiding difference (or nach relevanten Kriterien beobachten).
Nichtsdestotrotz ein brauchbares Schema, um in einem ersten Zugang Fotografien sortieren und entsprechend analysieren zu können.